Teoría y práctica del cine "nacional" en la guerra civil española

Lénárt, András: Teoría y práctica del cine "nacional" en la guerra civil española. Acta hispanica, (16). pp. 123-132. (2011)

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Abstract

The insurgent army of the Spanish extreme right took advantage of the power of cinema, just like other European leaders did in the 20Th centuiy. Between 1936 and 1939 (and during the whole regime as well) Spanish screens were spread with nationalist visual propaganda in order to shape the course of public opinion and to implant the ideology of the Falangist Movement in the citizens. General Franco, his confidants and even his relatives exercised tight control over film politics, giving preference to short films, documentaries and newsreels. In this essay we examine the theoretical and industrial background of the incipient francoist film politics during the Civil War and we highlight some of the most important products of this effort , briefly touching upon a few relevant international matters, such as the anti-Franco movement of Hollywood or the German and Italian support.

Item Type: Article
Journal or Publication Title: Acta hispanica
Date: 2011
Volume: 16
Page Range: pp. 123-132
ISSN: 1416-7263
Language: spanyol
Uncontrolled Keywords: Történelemtudomány, Művelődés, Filmtudomány, Társadalomtörténet
Additional Information: Bibliogr. a lábjegyzetekben; Theory and practice of the "national" cinema during the Spanish civil war
Date Deposited: 2016. Oct. 17. 09:57
Last Modified: 2018. May. 23. 10:35
URI: http://acta.bibl.u-szeged.hu/id/eprint/30488

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