Csondor Soma: A néző, aki túl sokat látott : Roman Polanski Iszonyat című filmjének feminista megközelítése a voyeurizmuson keresztül. In: Móra Akadémia : szakkollégiumi tanulmánykötet 4., (4). pp. 114-121. (2017)
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Abstract
The viewer who saw too much The feminist examination of Repulsion : The aim of this paper is the feminist analysis of the visual features of some movie scenes and camera shots in roman Polanski’s Repulsion (1965). I would also prove this creation demonstrates that phallocentric society oppresses women. In my paper, I mainly focus on a certain scene, where voyeurism is immensely important. This “scopophilia” reveals that the moviegoers are the real voyeurs (for instance, The imaginary signifier by Christian Metz and Cinema as Window and Frame by Thomas Elsaesser and Malte Hagener). starting from this position I conclude that the subjective camera shot and the previous act’s context create a metalepsis. The aim of the metalepsis reveals the collective social problem that is the sexual oppression against women.
| Item Type: | Book Section |
|---|---|
| Journal or Publication Title: | Móra Akadémia : szakkollégiumi tanulmánykötet 4. |
| Date: | 2017 |
| Volume: | 4 |
| ISSN: | 2064-809X |
| Page Range: | pp. 114-121 |
| Series Name: | Móra Akadémia |
| Related URLs: | http://acta.bibl.u-szeged.hu/50381/ |
| Uncontrolled Keywords: | Filmesztétika, Filmművészet |
| Additional Information: | Illuszrációval ; Bibliogr.: p. 120-121. és a lábjegyzetekben ; Összefoglalás angol nyelven |
| Date Deposited: | 2018. Jul. 10. 09:58 |
| Last Modified: | 2022. Aug. 02. 14:31 |
| URI: | http://acta.bibl.u-szeged.hu/id/eprint/53807 |
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