%D 2012
%O Bibliogr.: p. 126-127. ĂŠs a lĂĄbjegyzetekben ; ĂśsszefoglalĂĄs angol nyelven
%S Szegedi vallĂĄsi nĂŠprajzi kĂśnyvtĂĄr
%L acta70464
%T "Készen talált világkép"? : vallási mítoszok és istenképzetek megjelenési formáinak kérdése a 20. század elején alkotó magyar női írók műveiben
%V 31
%A  FĂśldvĂĄri JĂłzsef
%K Vallásosság, Nőírók - 20. sz.
%P 119-128
%J VallĂĄs, kĂśzĂśssĂŠg, identitĂĄs
%X It is undisputed that the emancipation of women had been more or less completed by the beginning of the 20th century. However, this period of time was the one, in which women tried to take their positions in literature. This act had substantially endangered the male-dominated positions in the literary world. The appearance of the Other puts the very fundament of the phallogocentric order into question. At the same time, voices that doubt women's accessability to writing, language and ultimately the Holy Scripts as such has become louder in the feministic critisism of the past twenty years. The paper takes an attempt to detect to what extent such findings may be valid regarding the works of female writers of the first half of the 20th century (mainly Terka Lux, Cécile Tormay and Margit Kaffka ), what happens if a female writer describes the position she considers her own in a narrative to the culture of the West, and whether there is - apart from the phallic order - a specific form of narrative that deviates from the „religious myths" which define the paternal order.