%0 Book Section
%A  Terdik Szilveszter
%D 2014
%F acta:71532
%K Egyházi művészet - görögkatolikus - Magyarország - 18. sz., Keresztény művészet - Magyarország - 18. sz., Ikonográfia - görögkatolikus - Magyarország - 18. sz.
%P 325-339
%S Acta Universitatis Szegediensis : Opuscula Byzantina
%T Balkáni mesterek görögkatolikus püspökök szolgálatában, 18. század
%U http://acta.bibl.u-szeged.hu/71532/
%V 11
%X Several important new churches had started to be constructed in the territory of Greek Catholic dioceses of the Hungarian Kingdom and Transylvania in the middle of the 18th century. Generally, the plan of the buildings were drawn by architects from Vienna or by other local ones, but several times different artists from the Balkan were comissioned to make sacred furniture, to paint frescoes or icons by the bishops. For example, the works of a woodcarver, named Constantinos Thaliodoros, who was to be said from Constantinople, whose name has been known by my research. He carved the most represen(a)tative iconostasis of Baroque period (in the church at Máriapócs, Balázsfalva/Blas, Nagyvárad/Oradea), but his individual style hasn't been followed by others. More Balkanian painters as well as workshops were comissioned by the bishops too. These artists sticked to the old orthodox artistical tradition more faithfully than those orthodox collagues from Hungary, who had learnt art in Kiev in that period. In my presentation I am focusing the monuments made by the Balkanian artists, looking for the reason, why they had been choosen (to be?) commisioned to these important works by the church leaders.
%Z Bibliogr.: p. 334-336. és a lábjegyzetekben ; összefoglalás angol nyelven