Sentiment, history and intermediality című kiadvány cikkei

2021

Abdullah Hogar Najm: Free slaves and enslaved free: Toni Morrison's chiastic fable of freedom in A mercy. In: Sentiment, history and intermediality. pp. 35-41. (2021)

Annus Irén: Shapes of faith: catholicism in the art of Thomas Nast. In: Sentiment, history and intermediality. pp. 43-51. (2021)

Bera Shreya: Understanding the postcolonial woman: home, the sublime, and the uncanny in Bharati Mukherjee's Desirable daughters. In: Sentiment, history and intermediality. pp. 69-79. (2021)

Cristian Réka M.: Paradigm dramas in American film studies: a brief overview. In: Sentiment, history and intermediality. pp. 81-88. (2021)

Dragon Zoltán: Photographic extimacy in the collage of images technologies in Julie Taymor's Frida. In: Sentiment, history and intermediality. pp. 101-106. (2021)

Kovács Ágnes Zsófia: Edith Wharton's argument with Ruskin. In: Sentiment, history and intermediality. pp. 61-67. (2021)

Pinjung Olga: Identity changes in Guerrilla warfare on the Kansas-Missouri border between 1850-1865. In: Sentiment, history and intermediality. pp. 15-26. (2021)

Szarvas Réka: Comparing the evolution of the detecting woman to the waves of feminism. In: Sentiment, history and intermediality. pp. 53-60. (2021)

Szántó Bálint: Transmedia worldbuilding in Star Wars. In: Sentiment, history and intermediality. pp. 89-100. (2021)

Tamás Tamara: Foreign language anxiety as a complex system. In: Sentiment, history and intermediality. pp. 115-126. (2021)

Tóth Zsófia Anna: Persuasion on screen: an authentic aural evocation of Jane Austen's early 19th century England? In: Sentiment, history and intermediality. pp. 107-113. (2021)

Vajda Zoltán: Friendship never ends: spaces of sympathy in Thomas Jefferson's dialogue of the Head and the Heart. In: Sentiment, history and intermediality. pp. 27-33. (2021)