Raffay Endre: A pécsi székesegyház márványkapui II. In: A Kárpát-medence, a magyarság és Bizánc = The Carpathian basin, the Hungarians and Byzantium, (11). pp. 229-242. (2014)
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The study focuses on the marble gates of the Cathedral of Pécs from around 1200. The gate on the Western façade (Pécs, Dome Museum), the only one to survive to the present day, was once set into a bay-type entrance structure. The gate was made of marble panels that must have originated from the Roman-era Early Christian cemetery of the town. According to earlier research, those ordering the gate had wanted to recapture and give visual form to the ancient and old Christian origins of the episcopate and the Episcopal Cathedral through the secondary use of marble. However, there was no sign on the gate that was constructed referring to the Roman origin of the marble. The paper focuses on a white marble slab probably depicting Jacob, created by incrustation. Earlier literature related the piece to Porta Speciosa in Esztergom. However, this piece shows an incrustation technique different from the Esztergom application. In Esztergom the base was red marble with different colour marble pieces inlayed. The Jacob piece of Pécs is set in white marble, which was also used for the figure's robe, face and hands; connecting pieces of different colours were only applied for the backgrounds. These differences rather separate than connect the Esztergom and the Pécs remnants, as do the differences in style. The work of the masters carving the Pécs marbles indicates knowledge and application of local traditions rather than those of Esztergom: there is a clear connection with the motifs and style used by the stone cutters working on the crypt accesses of the Pécs Cathedral. Details of the robe of the Jacob figure can be related to the respective motifs of the angels in the Last Judgment relief at the north crypt access. There is also an evident connection between the vegetal ornaments of the cornice and the south access. On the basis of the above findings related to the marble slab bearing the inscription Jacob it can be stated that in the art of Hungary around the age of King Béla III the seldom used technique of incrustation and its variations were represented by masters following styles independently from each other. Any link between relics of the period can, at the most, be imputed to the demands of the customer commissioning the work, perhaps Calanus, bishop of Pécs, who had connections in Esztergom.
| Mű típusa: | Könyv része |
|---|---|
| Egyéb cím: | The marble doors of the cathedral of Pécs II. |
| Befoglaló folyóirat/kiadvány címe: | A Kárpát-medence, a magyarság és Bizánc = The Carpathian basin, the Hungarians and Byzantium |
| Dátum: | 2014 |
| Kötet: | 11 |
| ISBN: | 978-963-306-298-2 |
| Oldalak: | pp. 229-242 |
| Sorozat neve: | Acta Universitatis Szegediensis : Opuscula Byzantina |
| Nyelv: | magyar |
| Befoglaló mű URL: | http://acta.bibl.u-szeged.hu/71499/ |
| Kulcsszavak: | Székesegyház - Pécs, Templomépítészet - magyar - Pécs, Építészettörténet - Pécs - székesegyház, Egyházi művészet - Magyarország |
| Megjegyzések: | Bibliogr.: p. 235-236. és a lábjegyzetekben ; ill. ; összefoglalás angol nyelven |
| Szakterület: | 06. Bölcsészettudományok 06. Bölcsészettudományok > 06.01. Történettudomány és régészet |
| Feltöltés dátuma: | 2021. jan. 22. 11:11 |
| Utolsó módosítás: | 2021. szep. 23. 08:56 |
| URI: | http://acta.bibl.u-szeged.hu/id/eprint/71526 |
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