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Antoni Rita: Recycling the femme fatale in tales of vampirism : Garry Kilworth’s "The silver collar" and Angela Carter’s "The lady of the house of love". In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 79-90. (2009)
B. Gaál Márta: Die Bildersprache des Traumes in Novalis' Heinrich von Ofterdingen. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 247-255. (2002)
Bagi Ibolya: Dämonologie des "Neuen Mittelalters" in Bulgakovs Phantastischen Erzählungen. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 323-329. (2002)
Bajner Mária: The trop of angels in women’s short story and fiction. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 45-52. (2008)
Bernáth Árpád: Albrecht Schoene : Emblematik und drama im Zeitalter des Barock. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 460-462. (1984)
Bocsor Péter: Paradigms of authority in the Carver canon. In: Papers in English and American studies : Tomus XXIII. - Paradigms of authority in the Carver canon, (23). pp. 9-156. (2013)
Bán Zsófia: The problem of word and image in W. C. Williams' late poetry : a borderline case study. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 113-117. (1995)
Bényei Tamás: Critical narratives of post-war British fiction. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 147-153. (1995)
Bódis Klára: Blanche : a complexity of attitude. In: Papers in English and American studies : Tomus II., (2). pp. 143-151. (1982)
Casanova Jorge: When iconography does not ease the pain : Mary Wroth in poetic labor. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 181-188. (2008)
Chemperek Dariusz: The baroque fantastic and its moral function in Emblemata Niektóre (1623) by Józef Domaniewski. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 207-212. (2002)
Coelsch-Foisner Sabine: "I am..." : iconographic representations of gender in Stevie Smith’s poems and doodles. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 157-166. (2008)
Cristian Réka M.: Albee’s child icon. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 53-60. (2008)
Cser Andrea: Clifford Davidson : The primrose way : a study of Shakespeare's Macbeth. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 411-413. (1984)
Csetényi Korinna: Dilemmas of the horror genre in Stephen King’s The shining. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 57-68. (2009)
Daly Peter M.: Shakespeare and the emblem : the use of evidence and analogy in establishing iconographic and emblematic effects in the plays. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 117-187. (1984)
Daly Peter M.: Shakespeare és az embléma : az ikonográfia és az emblematika hatása a drámákban evidencia és analógia alapján. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 474-475. (1984)
Davidson Clifford: The anxiety of power and Shakespeare's Macbeth. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 181-204. (2000)
Davidson Clifford: A bölcsesség és a bolondság ikonográfiája a Lear királyban. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 475-476. (1984)
Davidson Clifford: The iconography of wisdom and folly in King Lear. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 189-214. (1984)
Dibuz Balázs: John Donne's body : incarnation and visualization in Good Friday, 1613 - riding westward. In: Papers in English and American studies : Tomus VII. - Iconography in cultural studies : papers from the international conference "Iconography East and West" Szeged 1993, (7). pp. 113-120. (1996)
Dobolán Katalin: Pícara, Pícaro, and Moll Flanders. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 9-14. (2008)
Dragon Zoltán: The disappearing body : the unrepresentable carnality in Joseph L. Mankiewicz’s Suddenly last summer. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 179-184. (2008)
Dávidházi Péter: The rhetoric of apology in early Shakespeare criticism. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 175-182. (1995)
Fabiny Tibor: David Scott Kastan : Shakespeare and the shapes of time. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 439-443. (1984)
Fabiny Tibor: Henry Green : Shakespeare and the emblem-writers : an exposition of their thought and expression. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 432-435. (1984)
Fabiny Tibor: Irodalom és emblémák : új szempontok a Shakespeare- filológiához. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). p. 473. (1984)
Fabiny Tibor: Literature and emblems new aspects in Shakespeare-studies. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 7-55. (1984)
Fabiny Tibor: "Ripeness is all" : the wheel of time as a system of imagery in Shakespeare's dramas. In: Papers in English and American studies : Tomus II., (2). pp. 153-193. (1982)
Fabiny Tibor: Soji Iwasaki : The sword and the spirit : Shakespeare' tragic sense of time. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 436-438. (1984)
Fabiny Tibor: Theatrum Mundi és az emberi élet korszakai. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 476-477. (1984)
Fabiny Tibor: "Theatrum mundi" and the ages of man. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 273-336. (1984)
Fabiny Tibor: Veritas filia temporis : az igazság és az idő ikonográfiája és Shakespeare. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 477-478. (1984)
Fabiny Tibor: "Veritas filia temporis" : the iconography of time and truth and Shakespeare. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 215-271. (1984)
Federmayer Éva: The black daughter's revision : Jessie Redmon Fauset's Plum bun (1929). In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 125-134. (1995)
Federmayer Éva: The race movie and the iconography of the new negro woman : Oscar Micheaux’s Within our gates, 1920. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 185-192. (2008)
Gaál-Baróti Márta: Androgynie in Novalis’ Heinrich von Ofterdingen. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 15-21. (2008)
Halácsy Katalin: Formulaic composition vs. creative talent in two Anglo-Saxon poems. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 87-96. (1995)
Halász A. M.: The reception of English and American literature in Hungary between the two World Wars. In: Papers in English and American studies : Tomus I., (1). pp. 5-37. (1980)
Hopkins Lisa: "Monstrous regiment" : staging female rule. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 73-88. (2000)
Höfele Andreas: "So potent art" : magic power in Marlowe, Greene, and Shakespeare. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 53-72. (2000)
Janó István: Some aspects of the Japanese impact upon Anglo-Saxon civilization. In: Papers in English and American studies : Tomus I., (1). pp. 39-69. (1980)
Johnson Anthony: Inigo Jones, annotation and literary collaboration : an overview. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 53-77. (1995)
Jukić Tatjana: Marketing monsters : a reading of Christina Rossetti's "Goblin market". In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 269-285. (2002)
Kaposvári Márk: Tension and tense in Don DeLillo's art of prose. In: Papers in English and American studies : Tomus XXII. - Distinguished Szeged student papers, (22). pp. 183-205. (2012)
Kenesei István: Types and strategies in relative clause formation. In: Papers in English and American studies : Tomus I., (1). pp. 201-218. (1980)
Kiss Attila: Double anatomy in early modern and postmodern drama. In: Papers in English and American studies : Tomus XX. - Double anatomy in early modern and postmodern drama, (20). pp. 7-117. (2010)
Kiss Attila: Who reads? : towards a semiotics of the reading subject. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 81-86. (1995)
Kiss Attila: The semiography of wounds in Titus Andronicus. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 251-256. (2008)
Kiss Attila: The semiotics of revenge : subjectivity and abjection in English Renaissance tragedy. In: Papers in English and American studies : Tomus V. - The semiotics of revenge : subjectivity and abjection in English Renaissance tragedy ; Demand, desire and the drive in Sidney's texts and their contexts, (5). pp. 5-96. (1995)
Kiss Attila: The semiotics of the skull : emblematic agency in the Revenger's tragedy. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 205-214. (2000)
Kiséry András: Emblems of the polity the wounds of rhetoric and of the body politic in Shakespeare's Rome. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 161-179. (2000)
Kiséry András: Playing by ear : the rhetoric of the body in Cary’s Mariam. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 257-267. (2008)
Kline Salli J.: Horrors and whores in Fin-De-Siècle forensic psychiatry and the popular imagination : the atavistic metamorphosis of sexual women in Bram Stoker’s Dracula. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 69-77. (2009)
Kocsis Katalin: Transgression and subversion in The island of Doctor Moreau by H. G. Wells. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 109-115. (2009)
Kovács László: To live in a mirror : new dimensions of subjectivity in Heiner Müller’s Hamletmachine. In: Papers in English and American studies : Tomus XXII. - Distinguished Szeged student papers, (22). pp. 131-157. (2012)
Kovács Ágnes Zsófia: Gender as performance in Henry James : the role of portraits in The American. In: Papers in English and American studies : Tomus XV. 2. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 2. pp. 37-43. (2008)
Kurdi Mária: Brian Friel and American drama. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 201-210. (1995)
Kőszeghy Attila: Epiphany : Raymond Carver and a tradition of the Joycean short story. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 155-162. (1995)
Laroque François: Shakespeare’s iconography of desire : sexual fantasies and gender relations in Venus and Adonis, a midsummer night’s dream and Antony and Cleopatra. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 203-215. (2008)
Luis-Martínez Zenón: "Like sorrow’s monument" : women and the performance of mourning in English renaissance tragedy. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 231-243. (2008)
Matuska Ágnes: Improvising femininity. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 245-250. (2008)
Matuska Ágnes: 'Uncreating’ oneself : fantastic agents of intermediality in Tudor drama. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 117-123. (2009)
Molnár Judit: Bridge-building : historiographic metafiction in two recent Canadian novels. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 119-123. (1995)
Mynott Glen: Chivalry, monarchy and rebellion in Shakespeare's Henry IV, parts one and two. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 147-160. (2000)
Novoszel Ágnes: An arresting image : elements of the fantastic in Tom Stoppard's After Magritte. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 313-322. (2002)
Novák György: 'Before november one' : Ezra Pound and Tibor Serly. In: Papers in English and American studies : Tomus II., (2). pp. 195-225. (1982)
Nyúl Edit: Caroline Spurgeon : Shakespeare's imagery and what it tells us. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 463-465. (1984)
Németh Lenke: Conversational dissonance in David Mamet's American Buffalo. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 211-217. (1995)
Orbán Katalin: Tactics of the self in Gravity's rainbow : an ethical investigation. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 135-140. (1995)
Oroszlán Anikó: "Actors" in "Barbaresque Mantells" : the blackness of the female performers in Ben Jonson’s The masque of blackness. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 269-279. (2008)
Parrott Jeremy: What's in a name? : onomastic appropriacy in Wuthering heights. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 167-172. (1995)
Peruško Tatjana: The fictionalisation of literary ontology in postmodern fantastic literature : Italo Calvino's "Possible Cities" between utopia and heterotopia. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 331-338. (2002)
Pincombe Michael: Cupid and Eliza : variations on a Virgilian icon in plays by Gager, Lyly and Marlowe. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 33-52. (2000)
Pál József: Some iconological aspects of the poetic sign in the renaissance. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 57-114. (1984)
Pál József: A költői jel ikonológiai természetéhez. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 473-474. (1984)
Rajnai Judit: Hysteric(al) bodies in William Shakespeare’s Titus Andronicus. In: Papers in English and American studies : Tomus XV. 1. - The iconology of gender : Eastern and Western traditions of European iconography 3., (15) 1. pp. 217-221. (2008)
Rozsnyai Bálint: Preface. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). p. 3. (1984)
Rozsnyai Bálint: "A mystical treatise on the art of attaining truth" : Hawthorne's Blithedale romance. In: Papers in English and American studies : Tomus II., (2). pp. 227-240. (1982)
Rozsnyai Bálint: The romance of either/or : Hawthorne's The house of the seven gables. In: Papers in English and American studies : Tomus I., (1). pp. 103-138. (1980)
Rácz Margit: Erwin Panofsky : Studies in iconology : humanistic themes in the art of the renaissance. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 447-453. (1984)
Seán Henry: Changes of scenery : dualities of sexuality and poetic self in the fantasy landscapes of the German poet August von Platen. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 233-245. (2002)
Skokan Elisabeth: Fantastic Frankenstein : early dramatisations of Mary Shelley’s novel and their treatment of supernatural elements. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 101-108. (2009)
Spira Veronika: God, Evil, and the Saviour : hermeneutics and the reconstruction of a character in Bulgakov's The Master and Margarita. In: Papers in English and American studies : Tomus IV. - Literary theory and biblical hermeneutics : proceedings of the International Conference: "Reading Scripture - Literary Criticism and Biblical Hermeneutics", Pannonhalma, 4-6 July, 1991, (4). pp. 217-225. (1992)
Spira Veronika: God, Evil, and the Saviour : hermeneutics and the reconstruction of a character in Bulgakov's The Master and Margarita. In: Papers in English and American studies : Tomus IV. - Literary theory and biblical hermeneutics : proceedings of the International Conference: "Reading Scripture - Literary Criticism and Biblical Hermeneutics", Pannonhalma, 4-6 July, 1991, (4). pp. 242-243. (1992)
Stanco Michele: Historico-tragico-comical kings : genre conventions and/as emblems of power in Shakespeare's histories. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 117-145. (2000)
Surányi Ágnes: The creative writer as critic : Angela Carter. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 141-145. (1995)
Szabari Antónia: Demand, desire and the drive in Sidney's texts and their contexts. In: Papers in English and American studies : Tomus V. - The semiotics of revenge : subjectivity and abjection in English Renaissance tragedy ; Demand, desire and the drive in Sidney's texts and their contexts, (5). pp. 97-160. (1995)
Szaffkó Péter: Shakespeare and after : a new approach to the classification of English historical drama. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 183-190. (1995)
Szauter Dóra: Solutions of the fantastic in Umberto Eco’s The mysterious flame of queen Loana. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 169-176. (2009)
Szilassy Zoltán: Emblems, stage, dramaturgy : preliminary notes to and iconographic/iconological and "iconoclastic" approach to the Shakespearean Theatre. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 337-351. (1984)
Szilassy Zoltán: Emblémák, színház, dramaturgia : vázlat a shakespeare-i színház ikonográfiai és ikonológiai megközelítéséhez és az ezekkel kapcsolatos kételyek. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 478-479. (1984)
Szilassy Zoltán: George R. Kernodle : From art to theatre : form and convention in the renaissance. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 444-446. (1984)
Szilassy Zoltán: Glynne Wickham : Early English stages 1300 to 1660. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 468-470. (1984)
Szélpál Lívia: The fantastic sides of alternative history through Philip K. Dick’s The man in the High Castle. In: Papers in English and American studies : Tomus XVII. - What constitutes the fantastic?, (17). pp. 159-168. (2009)
Szőnyi György Endre: Matching the 'Falles of Princes' and 'Machiavelli' : tradition and subversion in the historiography and iconography of Shakespeare's histories. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 5-31. (2000)
Szőnyi György Endre: "O worke diuine" : the iconography and intellectual background of Alma's house in the Faerie Queene. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 353-394. (1984)
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Séllei Nóra: The reproduction and rejection of the Bildungsroman : The mill on the floss. In: Papers in English and American studies : Tomus VI. - HUSSE papers 1995 : a selection from the papers read at the Second Conference of the Hungarian Society for the Study of English, Szeged, 26-28 January, 1995, (6). pp. 97-102. (1995)
Tiffany Grace: Elizabethan constructions of kingship and the stage. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 89-115. (2000)
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Wymer Rowland: Foreword. In: Papers in English and American studies : Tomus VIII. - The iconography of power : ideas and images of rulership on the English renaissance stage, (8). pp. 1-4. (2000)
Zemplényi Ferenc: Mario Praz : Studies in seventeenth century imagery. In: Papers in English and American studies : Tomus III. - Shakespeare and the emblem : studies in Renaissance iconography and iconology, (3). pp. 454-457. (1984)
Árkai Márta: The transvestite play : is it the thing? : a two-dimensional literary-psychological introduction to Shakespeare's Macbeth replayed by Jeremy Freeston and Henry Fuseli. In: Papers in English and American studies : Tomus X. - The iconography of the fantastic : Eastern and Western traditions of European iconography 2., (10). pp. 301-311. (2002)
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